Do not go
where the path
may lead,
go instead
where there is
no path
and leave
a trail.

Ralph Waldo Emerson

About the artist

Mali Mann is an artist, poet, psychiatrist, and psychoanalyst. She started painting in her early childhood. She sketched portraits and figures, often using watercolor, ink, and pastel, but her favorite medium soon became oil.

Her work varies among different styles, textures, colors, and subjects.

After years of figurative painting, she transitioned to abstract expressionism during the Covid period.

For Mali, “My heart is the inspiring force of my creative work. Art is about introspection, how to see and listen to my voice.”

Mali’s poetry has been published in two books along with her paintings; “A Path with No Name”, “Whisper, Forget me not” and several professional journals.

Mali’s profound involvement in art developed as she participated in an art competition in Iran, her country of birth. It was first at the state level and, later, at the national. Learning from the art educators from the University of Tehran each summer, she was encouraged to continue her painting. In the United States, she took courses at many art studios in New York and California.

Mali presented her work as a medical student in numerous solo exhibitions in Shiraz, but much of her work there disappeared due to the events related to the revolution. Her creative work continued in the United States despite unfortunate circumstances. She experienced a rebirth of her creative artistic life and has enjoyed painting.

2019-2024 Pacific Art League, Palo Alto, California, Members art expiations
2009-2018 Group Art exhibition at the American Psychoanalytic Association
2010-Present Group Art exhibition at the American Academy of Child& Adolescent Psychiatry
1993 Art Exhibition, Redwood City, California
1984 Academy of Child and Adolescent Psychiatry, San Francisco, California
1984 Watercolor and Ink Art Exhibit, Yosemite, California

I tend to follow my dreams and heart in my art world and my work life.

My art has a playful aspect to its creative process. It brings me a dreamlike and meditative experience. At any given moment, my art involves me working and reworking layer upon layer of paint on the canvas. It evokes a feeling as if I am engaged in some version of a psychoanalytic process.

My ultimate intention is to stir deep emotions in the viewer, sparking unconscious, free-floating associations that resonate on a profound level.  

I give life force and, with the choice of color, a reflective experience of my subject matter to evoke an emotional reaction and imagination in the viewer